《他人的取向》是一档将出演嘉宾的日常毫无保留地展示给观众，观众看到他们的取向进而确认自己的取向的综艺节目。

Rim is a Tunisian interpreter working in France on asylum procedures. Every day, she translates the stories of exiled men and women, whose voices raise questions about her own history.

女子校生みやことその担任の教師、時郎との人目を忍んだ同棲生活も半年を迎え始めたが…。 　　-- 内容（「VIDEO INSIDER JAPAN」データベースより） 　　監督: 関田修 　　原作: 有間一郎 　　脚本: 川崎ヒロユキ 　　キャラクターデザイ ン: 山沢実 　　音楽: 武井浩之 　　声の出演: 天野由梨/森川智之/富山敬/堀川亮/小西寛子/小野健一/野上ゆかな 　　各话标题 　　[1994-08-26]他人の関係 前編 “先生、わたしをぶった代償は高くつくわよ” 　　[1994-10-21]他人の関係 後編 “とっぴな性格は生まれつき”

The Othered Scene starts with a question of language: to whom belong the words when they pass from one person to another through storytelling? Here the words trace back to the plague on Quemoy islands during the immediate post-war period in Taiwan. Two acts of digging lie at the heart of the tales: digging the grave and for the white clay. To uncover the anecdotes related to disease and death, this experimental documentary interweaves a 16mm film travelogue, meditation on archive through charcoal drawing, electronic sound composition, and voice. In assembling the pieces of memories and historical sources, The Othered Scene is part of a work in progress for setting loose the identity of the islanders from any firm historical narrative. The reminiscence of a plague survivor becomes the meeting ground for the fragments from the past of the island –– a field of infinite possibilities for the ritual of narration.

卡斯特拉（让-皮埃尔·巴克里 Jean-Pierre Bacri 饰）英俊多金，唯一的缺点就是为人粗鲁品味极差，一次偶然中，卡斯特拉在剧团里结识了名为克蕾拉（安娜·阿尔瓦罗 Anne Alvaro 饰）的女演员，后者的美丽和柔情让卡斯特拉很快便坠入了情网。 　　巧合的是，这并不是卡斯特拉同克蕾拉的初次见面了，原来，克蕾拉曾经担任过卡斯特拉的英语家庭教师。就这样，卡斯特拉展开了对克蕾拉的热烈追求，尽管卡斯特拉出手阔绰又挖空了心思想要讨好心上人，但克蕾拉却依旧对他不冷不热，个中原因只有一个，那就是卡斯特拉那糟糕透顶的品味让克蕾拉望而却步。最终，卡斯特拉能否令克蕾拉回心转意呢？

1983年，年仅36岁的日本摄影家牛腸茂雄病逝，作为其好友的纪录片导演佐藤真拍摄了这部纪念影片，用真挚的情感回顾了摄影家的一生，影片几乎没有对白，镜头静静地从牛腸茂雄的故居摆设回到他的摄影作品上。。。 　　http://ja.wikipedia.org/wiki/%E7%89%9B%E8%85%B8%E8%8C%82%E9%9B%84 　　In 1983, photographer Gocho Shigeo met an early death at the young age of 36. The view we see reflected in Gocho’s photographic images has become more profound over time since his death and has struck a chord in people’s hearts. While focusing on Gocho’s collection of photographs Self and Others, the film also visits places associated with him, creating a collage with the manuscripts, letters, photographs and voice recordings remaining in an attempt to capture “one more gesture”—a theme pursued by Gocho through photographic expression. 　　This film is neither a critical biography nor a monograph on the photographer. Rather, we are offered a new perception. As if mesmerized, the photographs Gocho left behind captivate us in their gaze.

Production: Pez Cine

Production: Pez Cine

Uncle Eddie writes children's books for a living. and he's very successful at it , but he's OBSESSED with women, and so little time is life's dilemma for him. Needless to say this leads to numerous close calls with jealous husbands and tight squeezes with flirtatious, unsatisfied wives.